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Date Posted: 13:21:41 11/04/07 Sun
Author: Rick
Subject: Re: Mongo to Mars and Orson Welles
In reply to: EmperorofMongo 's message, "Re: Mongo to Mars and Orson Welles" on 15:49:25 11/03/07 Sat


Rewrites can be done when writing a script in any draft of the screenplay before the studio approves it for filming. Or right there at the set or the backlot as they're filming the serial.

When a studio has a budget crisis, location filming can't be done far away from the studio. The budget was so reduced because of lost profits by Laemmle. This in turn, made the new producers cut the budget to a minimum of $175,000. The 1936 serial was at or around $350,000 dollars, the most expensive one ever made. Initially, it was 1 million, but they scaled it down.

The reduced budget is true in the case of Trip to Mars and the backlot dressed as the Forest Kingdom to economize. The producers look over the final script and make the decisions. They're the men who are making the film, so they have the final approval. In this case, it was Charles Rogers and Barney Sarecky.

The final season of Star Trek ( 1968-69 ) had such a high budget, they were only able to film one episode ( "The Paradise Syndrome" ) on location at Franklin Lake. By the time they wanted to shoot "The Savage Curtain", it was December 1968 and they didn't have enough daylight, so it was all shot on the soundstage.

The 1969-70 season of Mission: Impossible was affected by a filmmaker at Paramount who produced a movie that put them in bad financial trouble in the seven digit catagory. Shooting took place at the studio. In a few exceptions they could do a few local shots, but not much.

As for Welles and Trip to Mars, he was nowhere in sight until 1939. He had no bearing on the 1938 serial film's title switch. One of the writers made the change while working on the screenplay in 1937. That said, Mars has the distinction of being the only 30's sound film that took place on the planet of the same name.



Rick

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