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Date Posted: 17:42:56 09/13/03 Sat
Author: 胡小钉
Subject: 绿茶,还是混浊的咖啡? (羊城晚报)

《绿茶》的片名有一种清雅的感觉。尽管满大街《绿茶》的广告中姜文与赵薇浓情依偎的特写给人过于露骨的商业片特征,我还是对张元存有已被他向主流娱乐片靠拢的行为所侵蚀的最后的幻想。但幻想终成幻灭,《绿茶》最终还原为张元亲饰的那位虚情假意的拍拖者面前的那杯混浊的咖啡,影片给我的总体印象也恰如那咖啡馆外玻璃窗上半遮半掩羞羞答答的四个字:装模作样。

  一个女子饰演两个身份不同的角色以表达人性的两面,这点浅薄的立意与拙劣的伎俩早被人用滥发酸。远的不说,最近的也有同是所谓“第六代”出身的娄烨所拍的《苏州河》。虽然也有点无病呻吟的味道,但《苏州河》毕竟还有更为切实的生活、诡异的情节、复杂的心情,以至可以勉强跻身于“艺术片”之列。而《绿茶》本就是一个故弄玄虚的商业片,却不在玄虚上多下点功夫以满足观众期待的胃口,而以浅薄的叙事、喋喋不休的空洞的对话来折磨观众的耐心,更以“先锋”美术家方力均及其画作漫不经心的加盟和杜可风喧宾夺主般奢华多变的摄影风格来为影片披上一艺术品位的外衣。至此,张元早期作品《妈妈》里面那种单调中的质朴,《过年回家》里面那种平实中的诚挚,已经荡然无存。

  联想到李欣《花眼》之“花”,王小帅《十七岁的单车》之“单”,我不能不引出这样的判断:除去贾樟柯等人仍未浮出水面的努力,所谓中国电影“第六代”以《绿茶》为标志,终于全线溃退。

胡小钉

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