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Date Posted: 10:22:49 06/19/06 Mon
Author: Publius Ovidius Naso
Subject: Ovids Metamorphosis Englished

Publius Ovidius Naso (Sulmona, March 20, 43 BC � Tomis, now Constan�a AD 17), a Roman poet known to the English-speaking world as Ovid, wrote on topics of love, abandoned women, and mythological transformations. Ranked alongside Virgil and Horace as one of the three canonical poets of Latin literature, Ovid was generally considered the greatest master of the elegiac couplet. His poetry, much imitated during Late Antiquity and the Middle Ages, had a decisive influence on European art and literature for centuries.

R. J. Tarrant offers the following assessment for the importance of Ovid:

From his own time until the end of Antiquity Ovid was among the most widely read and imitated of Latin poets; his greatest work, the Metamorphoses, also seems to have enjoyed the largest popularity. What place Ovid may have had in the curriculum of ancient schools is hard to determine: no body of antique scholia survives for any of his works, but it seems likely that the elegance of his style and his command of rhetorical technique would have commended him as a school author, perhaps at the elementary level.[1]
Ovid wrote in elegiac couplets, with two exceptions: his lost Medea, whose two fragments are in iambic trimeter and anapests, respectively, and his great Metamorphoses, which he wrote in dactylic hexameter, the meter of Virgil's Aeneid and Homer's epics. Ovid offers an epic unlike those of his predecessors, a chronological account of the cosmos from creation to his own day, incorporating many myths and legends about supernatural transformations from the Greek and Roman traditions.

Augustus banished Ovid in AD 8 to Tomis on the Black Sea for reasons that remain mysterious. Ovid himself wrote that it was because of carmen et error � "a poem and a mistake" (Tr. 2.207). The error itself is uncertain. Ovid may have had an affair with a female relative of Augustus, or withheld knowledge of such an affair. The carmen, however, is probably his Ars Amatoria, a didactic poem offering amatory advice to Roman men and women, which had been in circulation for several years.

It was during this period of exile -- more properly known as a relegation -- that Ovid wrote two more collections of poems, called Tristia and Epistulae ex Ponto, which illustrate his sadness and desolation. Being far away from Rome, Ovid had no chance to research in libraries and thus was forced to abandon his work Fasti. Even though he was friendly with the natives of Tomis and even wrote poems in their language, he still pined for Rome and his beloved third wife. Many of the poems are addressed to her, but also to Augustus, whom he calls Caesar and sometimes God, to himself, and even sometimes to the poems themselves, which expresses his heart-felt solitude. The famous first two lines of the Tristia demonstrate the poet's misery from the start:

Parve -- nec invideo -- sine me, liber, ibis in urbem:
ei mihi, quod domino non licet ire tuo!
Little book -- and I won't hinder you -- go on to the city without me:
Alas for me, because your master is not allowed to go!
Ovid died at Tomis after nearly ten years of banishment.

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