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Date Posted: 18:15:32 05/14/23 Sun
Author: Jarrod
Subject: Recurring characters' pay

Is there a list of the 260 syndication episodes? I see you have a list of the Lost episodes...but I didn't find a list of the 260.

Also Rick, when you talked about the pay for the guest stars, were Ray Teal and Victor Sen Young making the same as the weekly guests…or were they treated differently as recurring members of the cast?

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Replies:

[> Re: Recurring characters' pay -- Rick, 19:23:27 05/15/23 Mon [1]

Hi Jarrod,

Actually, they weren’t guest stars every week. That was how I did the listings for the actors on the episode guide. Ray Teal and Sen Yung were only guest stars in a few episodes, otherwise, they were support actors and they were paid the lowest weekly salary over a 5 1/2 day film shoot.


Rick

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[> [> Re: Recurring characters' pay -- Jarrod, 18:20:02 05/16/23 Tue [1]

Thanks Rick...I guess what I was wondering was how much less the support actors were getting paid than the guest stars.

On the IMDb, Victor Sen Yung is listed as having 108 appearances on the show...but surely this could not have translated into a lot of money, and he did not get residuals, did he?

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[> [> Re: Recurring characters' pay -- Bonanza, 18:47:06 05/17/23 Wed [1]



The actors listed at the end titles, including the stunt men would get $500 a week. That was lotta money back then, and they would gladly take it. The guest stars you see with the main cast would get around $6,000 or $7,500 for an episode, top performers would get up to $10,000, like Lee Marvin. By 1967, NBC was cutting cost down a little bit and the guest stars would get $3,000 for an episode.


Rick

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[> [> [> Re: Recurring characters' pay -- Jarrod, 18:55:27 05/19/23 Fri [1]

Interesting. Thanks for the clarification. So I guess the guest stars at the end came a bit cheaper, people like Loretta Swit and Kate Jackson...but in a way that makes sense, because they were not established movie stars like those earlier big name guests such as Yvonne DeCarlo.

Arguably the bigger name guests stars who cost more, helped the show get higher ratings in those earlier seasons. Or am I oversimplifying and generalizing things here??

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[> [> [> Re: Recurring characters' pay -- Rick, 18:45:36 05/27/23 Sat [1]

Hi Jarrod,

In general, you’re correct. The big name actors would always get the most money at the opening credits, where the featured actors at the end titles would get the lowest salary. Yeah, in the beginning the big name actors you would see onscreen would grab the ratings. That strategy was commonly used back then. By the way, the actors seen at the end titles would be hired by the directors.


Rick

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[> [> [> [> Re: Recurring characters' pay -- Jarrod, 09:33:16 05/31/23 Wed [1]

Thanks. I realized that my previous post was a bit confusing. When I was referring to Loretta Swit and Kate Jackson, what I meant is that they were "name" guest stars in the final seasons, but they were not movie stars and hadn't even had their breakthrough roles on TV yet. Loretta's appearance in 'A Visit to Upright' occurred the season before she began appearing on MASH. Likewise, Kate Jackson's guest turn in 'One Ace Too Many' occurred the season before she began on The Rookies. So compared to those old time movie stars that were often used in the early seasons of Bonanza, I am sure Miss Swit and Miss Jackson were substantially more cost efficient to hire.

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[> [> [> [> Re: Recurring characters' pay -- Rick, 18:48:44 05/31/23 Wed [1]

Yes, for the most part. The casting directors who worked at Paramount and Warner Brothers did things their own way. William Mayberry liked to hire big names, where Milt Hammerman liked to hire lesser known actors. Hammerman left to work at Universal in 1972 and was replaced by Bill Scully I think.


Rick

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[> [> [> [> [> Re: Recurring characters' pay -- Rick, 18:53:55 05/31/23 Wed [1]


Joe Scully came in a 1972 and replaced Hammerman.



Rick

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